DIFFERENT DRUMS OF IRELAND started in 1991 as a deliberate exercise in
community relations. Roy Arbuckle (guitar/vocals) was asked to do
something in the community using arts as a vehicle and came up with the
concept of “different drums,” which was borrowed from Henry Thoreau. It
is the notion of people marching to the beat of different drums; at the
same time he was reading a book by M. Scott Peck called ‘Different
Drums’ which was about the essential human need to be in community with
other living things.
It was clear that there was a good philosophical underpinning for a project that addressed both the rights and respect of the individual and the rights and respect you have as part of your community. The most unique aspect of Different Drums is the use of the potent symbols of the drums of the two main communities in Northern Ireland - the lambeg drum and the bodhran which are perceived as representing the Nationalist and Unionist cultures.
The Lambeg drum is a big bass drum which is most likely descended from the European military snare drum, it has a presence in Ireland from around the mid/late 17th Century. At over three feet in diameter and clocking in at 125dB it's reckoned to be the loudest drum in the world. The way it's constructed and played is unique to Ulster and it would be representative of the Protestant and Unionist people.
The “wee” drum, the bodhran, gets the name from the Irish for deaf 'bodhr' and means 'the deafener', it is also usually made from goats' skin. Frame drums like this are found all over the world. It's seen as a symbol of Nationalism and the Catholic people although its popularity is now global.
In the early 1990s, Different Drums got a chance to spend a week with the Kodo drummers from Japan which gave them the idea to try something new. It was about exploring the sound of the drums and trying to create some sense of a new repertoire of out the two traditions. In addition to the lambeg and bodhran, Different Drums uses the African Djembe drum to provide the rhythmic engine of the band and you will also hear the high tension snare and various other percussion from around the world. The melodic aspects of the band are voices and a range of traditional Irish instruments with particular emphasis on the Uilleann pipes and the whistle, the link between rhythm and melody is made through Roy's guitar.
It was clear that there was a good philosophical underpinning for a project that addressed both the rights and respect of the individual and the rights and respect you have as part of your community. The most unique aspect of Different Drums is the use of the potent symbols of the drums of the two main communities in Northern Ireland - the lambeg drum and the bodhran which are perceived as representing the Nationalist and Unionist cultures.
The Lambeg drum is a big bass drum which is most likely descended from the European military snare drum, it has a presence in Ireland from around the mid/late 17th Century. At over three feet in diameter and clocking in at 125dB it's reckoned to be the loudest drum in the world. The way it's constructed and played is unique to Ulster and it would be representative of the Protestant and Unionist people.
The “wee” drum, the bodhran, gets the name from the Irish for deaf 'bodhr' and means 'the deafener', it is also usually made from goats' skin. Frame drums like this are found all over the world. It's seen as a symbol of Nationalism and the Catholic people although its popularity is now global.
In the early 1990s, Different Drums got a chance to spend a week with the Kodo drummers from Japan which gave them the idea to try something new. It was about exploring the sound of the drums and trying to create some sense of a new repertoire of out the two traditions. In addition to the lambeg and bodhran, Different Drums uses the African Djembe drum to provide the rhythmic engine of the band and you will also hear the high tension snare and various other percussion from around the world. The melodic aspects of the band are voices and a range of traditional Irish instruments with particular emphasis on the Uilleann pipes and the whistle, the link between rhythm and melody is made through Roy's guitar.
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ReplyDeleteIrische Bodhran-Trommel | Irish Bodhran Drum
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Irische Bodhran-Trommel, Irish Bodhran Drum,